I’m a nervous wreck. I’m a slob. I have no patience. And I’m rather lazy. All those things would seem to guarantee that I would not make work like I make. But I didn’t want to just go with my nature.
So instead of painting overwrought, expressive things when the mood struck, he committed to making his epic, close-up portraits by breaking the work into tiny pieces and hewing to a grid. Not only did the grid make technical sense, it forced a lifehack on Close that would help him deal with his own tendencies. It helped get the work done, sure. It allowed him a style that might not have been ‘natural’ to his disposition. & it also had other side benefits.
What I found that one of the nice things [about] working incrementally is that I don’t have to reinvent the wheel every single day. Today I did what I did. You can pick it up and put it down. I don’t have to wait for inspiration. There are no good days or bad days. Every day essentially builds positively on what I did the day before. … Given my nature, I believe it was very good for me to be able to add to what I already had and slowly construct the final image out of these little building blocks.